CASE 2250
THE AFTERMATH
November 2022
The Crypt Gallery, London
CASE 2250: The Aftermath is an immersive performance, where Gutty took part in sound design.
Set in 2250, the audience volunteer as investigators exploring the Crypt Gallery, gathering information about the cause and history of an apocalypse that happened from an unknown amount of time.
Mutant Crab Soundscape
Costume: Rayus Seth
Since the apocalypse, some creatures have survived and mutated to adjust to the new environment. The crab has morphed together with fungi to adapt to the challenging climate.
Soundscape of mutant crab made with Aztec death whistle, donkey jaw, dear bones and teeth, rainmaker.
Computer Static Soundscape
Set: Vicky Wong
The last humans near the end of the apocalypse huddled to the Crypt of St Pancras Parish Church. A survivor bravely documents his last days in his survival log. His documentation becomes a relic that blends in with the natural greenery of the new environment.
Soundscape of broken computers, made from statics and nostalgic 2000s computer chimes.
